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AUG 15 | In-Person & Livestreamed 

 

This year’s festival offering for India’s Independence Day is entitled Purush, and celebrates the power and artistry of classical Indian male dancers. 

 

Rudrakshya Foundation, the celebrated Odissi company and school from Bhubaneswar, Odisha, anchors this evening’s program. Under the leadership of Guru Sri Bichitrananda Swain, this company of ten dancers will grace New York City with its stunning virtuosity. Complementing the program will be two acclaimed soloists, Kathak dancer Durgesh Gangani from Vadodara, Gujarat, and Kuchipudi dancer Amaranth Ghosh from Chennai, Tamil Nadu.

 

Presentation of this special India Day program is made possible in part by The Consulate General of India in New York and The State Bank of India New York.

 

Time & Location 

In-person: 7pm EDT at Rockefeller Park. Click here for directions.

Livestream: https://vimeo.com/854827308?share=copy

The video will be available to watch for 10 days after the premiere and will expire on Aug 25.


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Program


Five dancers stand in a circle and reach their arms upwards.

RUDRAKSHYA FOUNDATION

Surya Stutee | NY Premiere

Magalacharan (the invocation of a deity) involves passionate devotion, which is the essence of Bhakti Yoga. Today we perform Surya Suttee. In this item Surya Stutee, the artist prays for the blessings of Surya, the resplendent Sun God. Oh mighty son of Sage Kashyapa! Thou rises with a colour as red as the hibiscus flower. Thy rays, bright and powerful, destroy the darkness and vanish the forces of evil from this world. Oh Divakar! The maker of day, we offer our obeisance to you. You are Adideva, the first God. You are the source of light and energy. You ride a chariot drawn by seven magnificent horses and you hold a white lotus in your hands. Oh! Lord Surya, the source of all life, we salute before you. The dance item ends with Surya Namaskar, a tribute to the Sun God through yogic postures.

Rudrakshya Foundation’s appearance at the 42nd Annual Battery Dance Festival 2023 is made possible by the generous support of the Consulate General of India in New York and State Bank of India New York.

Credits

Dance Choreography: Guru Sri Bichitrananda Swain
Music Composition: Guru Sri Ramahari Das
Rhythm Composition:c:Guru Sri Dhaneswar Swain 
Notation:c:Guru Sri K. Ramarao Patra 
Dancers:c:Bichitra Behera, Sanjeev Kumar Jena, Samir Kumar Panigrahi, Jagyandatta Pradhan, Surendra Pradhan, Santosh Ram, Dushasan Sahoo, Rasmiranjan Swain 

About the Company

Rudrakshya Foundation has grown from the seed passionately sown, nurtured and tended to with great care by Guru Shree Bichitrananda Swain. Today, Rudrakshya has emerged as one of the leading dance institutions in a new generation of world-class organizations catering to international audiences, while, at the same time, holding firm to the values and traditions established by the founding fathers of Odissi Dance.
Established in the year 2000, Rudrakshya Foundation has been growing steadily, with performances abroad and throughout India, as well as on-going classes and private instruction catering to the continuous flow of serious dance students coming from all over the world.


www.rudrakshyafoundation.org

In front of a black background, one dancer looks to the side with his elbows out as he holds a small circular light.

DURGESH GANGANI

The Legacy

Durgesh will be performing works of his grandfather Pt. Sundarlal Gangani, who was a legendary Kathak Guru with a global impact and pioneering personality who brought Kathak to the Indian university education system in the year 1951.

 

Credits

Choreography and music composition: Pt. Jaddish Gangani

About the Company

Durgesh Gangani, an accomplished artist, is the son of Dr. Pt. Jagdish Gangani, one of the senior most gurus of Jaipur Gharana and the grandson of legendary Kathak Guru Pt. Sundarlal Gangani. He is the torch bearer of Jaipur Gharana Kathak with dance and music present inherently in his genes. He has been training under the guidance of his father since the age of 4, and has imbibed the finest technicalities of Jaipur School Of Kathak, to exhibit the syllables of the intricate aspects.

He concluded his Masters summa cum laude (Gold Medalist) in Kathak from Faculty of Performing Arts, The Maharaja Sayajirao University of Baroda, Vadodara in May, 2017. One of his impressive endeavors include being invited to the Rashtrapati Bhavan (President House, India) to perform, alongside 30 other renowned artists from all over the country. To add to the feathers on his cap, he is the youngest dancer to receive the National Award, Ustad Bismillah Khan Yuva Award (2019) by Sangeet Natak Akademi.  He has performed in many prestigious music and dance festivals with international artists across India and overseas.


www.instagram.com/durgeshgangani

On stage, one dance jumps in the air with his arms up as other dancers circle around him.

RUDRAKSHYA FOUNDATION

Taala Taranga | NY Premiere

Taal Tarang is a pure dance piece that is a beautiful blend of different percussion instruments i.e. Mardal, Mrudanga, and Khanjani or cymbal. This piece involves an innovative choreography that uses different percussion instruments to give a new dimension to Odissi music. Taal Tarang,  meaning rhythmic waves, is choreographed maintaining or following all the techniques: Grammar, Movements, Emotions, Beauty, and Grace of Odissi dance. Though it is based on one particular taal it has been composed with different Chhanda, or rhythmic patterns, and laya, or speed.

Rudrakshya Foundation’s appearance at the 42nd Annual Battery Dance Festival 2023 is made possible by the generous support of the Consulate General of India in New York and State Bank of India New York.

Credits

Dance Choreography: Guru Sri Bichitrananda Swain
Music Composition: Guru Sri Ramahari Das
Rhythm Composition: Guru Sri Dhaneswar Swain
Notation: Guru Sri K. Ramarao Patra
Dancers: Bichitra Behera, Sanjeev Kumar Jena, Samir Kumar Panigrahi, Jagyandatta Pradhan, Surendra Pradhan, Santosh Ram, Dushasan Sahoo, Rasmiranjan Swain

About the Company

Rudrakshya Foundation has grown from the seed passionately sown, nurtured and tended to with great care by Guru Shree Bichitrananda Swain. Today, Rudrakshya has emerged as one of the leading dance institutions in a new generation of world-class organizations catering to international audiences, while, at the same time, holding firm to the values and traditions established by the founding fathers of Odissi Dance.
Established in the year 2000, Rudrakshya Foundation has been growing steadily, with performances abroad and throughout India, as well as on-going classes and private instruction catering to the continuous flow of serious dance students coming from all over the world.


www.rudrakshyafoundation.org

On the beach, one dancer kneels, leaning to the left with his left hand raised.

AMARNATH GHOSH

Maragatha Manimaya

This piece is what is known as a Tarangam in Kuchipudi which is where the dancer performs intricate rhythmic patterns while balancing on the edge of a brass plate. This piece describes the glory and splendour of Lord Krishna.

 

Credits

Choreographer: Padma Bhushan Sri Vempati Chinna Satyam
Music: Smt Kalaimamani Uma Muralikrishna
Music Composers: Sri Ootukaadu Venkatasubbaiyyar
Costumes: Amarnath Ghosh 

About the Company

Amarnath Ghosh is an accomplished performing artist (Bharatnatyam and Kuchipudi), choreographer and art educator from Chennai, Tamil Nadu. He is an alumnus of the Kalakshetra College of Fine Arts and Kuchipudi Art Academy Chennai. Currently, he is pursuing his MFA in Dance at Washington University in Saint Louis. He is an exponent of four dance styles of dance- Bharatnatyam, Kuchipudi, Manipuri, and Kathak. The Hindu article dated 25 July 2017- It described him as an artist excelling in both dance (nritta) and expressional (abhinaya) aspects. Further, owing to his upbringing in Kolkata Amarnath has also learned and performed Rabindra Nrita and Rabindra Sangeet in the Shantiniketan style. Over the recent past, he has taken part in the “Thirumanthiram” festival conducted by the World Tamil Epics Research Association, Malaysia. He is a recipient of the National Scholarship for Kuchipudi, from the International Cultural Ministry, New Delhi, Nadana Sigamani Award- Cambodian Government Ministry of Culture, Nritya Kala Acharya from Lasya Priya Fine Arts (Karlsruhe, Germany), and a recipient of awards such as Nritya Kanak Mani Saman from the International Dance and Music Festival, New Delhi. Besides this, he has also given lecture demonstrations and art appreciation programs at various places in India and abroad. He recently performed “Dvi Parna” at The Nehru Centre in the United Kingdom.


amarnathendra.com

Five Indian dancers pose outside in front of a large stone structure.

RUDRAKSHYA FOUNDATION

Kali Krishna | NY Premiere

Yaha Krishna Saha Kaali means he who is Lord Krishna is also Goddess Kaali. This beautiful composition explores the many similarities and contrasts between Krishna and Kaali. While Krishna preserves the cosmos with compassion, Kaali maintains the cycle of birth and death with her ferocity. Beginning with the primordial sound OM, followed by the hymns- KLEEM for Krishna and KREEM for Kaali, the dance encompasses the devotee’s visions of the dissimilarities and similarities between Krishna and Kaali. Krishna, the incarnation of Vishnu, and Kaali, the incarnation of Shakti, descend upon earth to eliminate evil and restore peace. Krishna, the compassionate one, and Kaali, the fierce one, are portrayed as Shyam and Shyama or (Dark) in complexion and in darkness – symbolizing the cosmos and devouring of evil. Krishna lives in Vrindavan, surrounded by gentle white Cows; Kaali lives in the cremation ground surrounded by howling Jackals. Krishna dances with Gopikas near river Yamuna and Kaali dances in a sea of blood. Krishna is pitambari – clad in yellow robes with a garland of flowers; and Kaali is Digambari – naked with a garland of human skulls. Krishna wears sandal tilak and ornaments; and Kaali wears vermillion on her forehead, with a snake as her sacred thread, human bones as her waist band and conch shells as her bangles. Krishna is lotus-eyed and charming, playing the flute to lure the Gopikas, devoted to his beloved Radha; and Kaali, depicted dauntingly with skull and sword in her hand, is the divine consort of Lord Shiva. However, this outward dichotomy ceases to exist as the devotee envisions both as complementary to and merging into each other. Krishna and Kaali, Shyam and Shyamaa are aspects of the one and only truth – the Supreme’s Maya, or illusion, hence beyond human comprehension.

Rudrakshya Foundation’s appearance at the 42nd Annual Battery Dance Festival 2023 is made possible by the generous support of the Consulate General of India in New York and State Bank of India New York.

Credits

Dance Choreography: Guru Sri Bichitrananda Swain
Music Composition: Guru Sri Ramahari Das
Rhythm Composition: Guru Sri Dhaneswar Swain
Notation: Guru Sri K. Ramarao Patra
Dancers: Bichitra Behera, Sanjeev Kumar Jena, Samir Kumar Panigrahi, Jagyandatta Pradhan, Surendra Pradhan, Santosh Ram, Dushasan Sahoo, Rasmiranjan Swain

About the Company

Rudrakshya Foundation has grown from the seed passionately sown, nurtured and tended to with great care by Guru Shree Bichitrananda Swain. Today, Rudrakshya has emerged as one of the leading dance institutions in a new generation of world-class organizations catering to international audiences, while, at the same time, holding firm to the values and traditions established by the founding fathers of Odissi Dance.
Established in the year 2000, Rudrakshya Foundation has been growing steadily, with performances abroad and throughout India, as well as on-going classes and private instruction catering to the continuous flow of serious dance students coming from all over the world.


www.rudrakshyafoundation.org