AUGUST 15, 2026

In-person: 7pm EDT at Robert F. Wagner, Jr. Park
Click here for directions.

 

Watch online until August 25

 

FEATURING:

Jeevika Bhat
Tanveer Alam
Mesma Belsaré 

Sindhoor Natya – Navarasa
Nava Dance Theatre


Detailed Program

 

Jeevika Bhat

Clothesline

Clothesline is a century long dance story of cultural art, technological development, immigration, and generations of Karnataka women, told from the perspective of a sari who wants to go home.
In addition to exploring ideas of migration, homesickness, and inheritance, the piece is largely about laundry. We follow the sari as it is washed over and over again through the generations, first in the Kaveri river, then in a bucket, hung to dry on a Mysore terrace, then in an American washing machine – asking, How does culture fade with each wash?

 

 

Credits

Choreographer: Jeevika Bhat
Performers: Keshav Agiwal, Shalini Basu, Jeevika Bhat, Bhavana Channavajjala, Preethi Chidambaram, Samanvita Kasthuri, Kavya Menon, Rutva Satish
Music: Nannoru Annoru – Raghavendra Beejadi; Taana Baana Thillana – Jay Parmesan; Balegara Chennaya – K.C. Ashwath, adapted by Sree Oggu, Sindhu Vasudevan; Cauvery Calling Song – Isha Foundation
Costumes: Jeevika Bhat

About the Artist

Jeevika Bhat is a Manhattan based dancer and choreographer who explores the confluence of her cultures through a Contemporary/Indian-American medium. Her background is in Odissi, an East Indian classical dance form known for its nuanced storytelling and graceful fluidity, which she studies under the guidance of Guru Jyoti Rout. Academically, she is a graduate of UC San Diego, where she earned a BS in Mathematics with minors in Linguistics and Dance, and UC Irvine, where she earned an MFA in Dance.

Instagram: @jeevika.bhat


Tanveer Alam | Canada

Zikr | USA Premiere

ZIKR is the Urdu word for rememberance. In this dance work, the songs of two Sufi mystics, Hason Raja (Bangladesh) and Bulleh Shah (Pakistan) converge to create a space of surrender. The dancer’s relationship to these songs is grounded in his lived context as a Bangladeshi-Canadian. Now, these songs become materials that take shape, through his learnt movement language of Kathak.

 

 

 

Credits

Choreographer: Tanveer Alam
Performer: Tanveer Alam
Musicians: Niha, Vihaan, Zaheer-Abbas Janmohamed

Clapping ensemble: Shruti Sharma, Krithi Nathan, Mohit Agarwal, Shabnum Gulati, Shreoshe Sushil, Priesha Pujara, Nandita Dani, Shriya Dani
Costumes: Label Abrooh

About the Artist

Toronto-based Tanveer Alam started his Kathak training with Sudeshna Maulik and continued further nuanced studies with guru Sandhya Desai. Alam is a 2019 graduate of western contemporary dance from Dance Arts Institute of Canada (DAI). Tanveer has received further kathak training from Pandita Shama Bhate and Sanjukta Sinha. He is currently pursuing mentorships with Harikishan S. Nair and Dheerendra Tiwari.

Alam has performed in the works of Rina Singha, Lata Pada, Padmini Chettur, Harikishan S. Nair, Sashar Zarif, Brandy Leary, Lucy Rupert, and Peter Chin, to name a few. As an emerging choreographer, he has presented work at SummerWorks Festival, Battery Dance Festival +, Luminato Festival, and Tangente. As an emerging curator, he has supported programming initiatives with Dancemakers, TOES FOR DANCE, and Flemingdon Park Toronto Public Library. He was the co-curator for the Kathak & Ballet program at Fall For Dance North 2025, a leading international dance festival based in Canada.

Across the 25/26 season, Alam has performed at The New York Kathak Festival (New York), Fall For Dance North (Toronto), the Aga Khan Museum (Toronto), and Nita Mukesh Ambani Cultural Centre (Mumbai) to name a few. Recently, he toured Singapore and India as part of Sampradaya Dance Creations’ new work Kintsugi, performed a solo at the prestigious 28th Vasantotsava Kathak Festival presented by Kalashram in New Delhi, India, and was featured as a dancer in the Toronto presentation of Abi Sampa and Rushil Ranjan’s Orchestral Qawwali Project. Tanveer was recently awarded the prestigious Eldred Family Protégé award by the Ontario Arts Foundation.

www.tanveerdance.com
Instagram: @tanveeralam


Mesma Belsaré

SIREN | NYC Premiere

In 2020, millions of migrant workers in India walked hundreds of miles home. Among the images: a parent carrying a deceased child. SIREN begins there. A contemporary work for two performers, it moves through scenes of displacement and hope, using the mask to center the story over the storyteller. Classical training, theater mask work, and sculptural movement create a language of grief, love, war and emergence. What remains is a call, rising like a wild bird, through the wreckage.

 

 

 

Credits

Choreographer: Mesma Belsaré
Performers: Mesma Belsaré and Ramya Shankaran
Music: T. Keshavan, Pandit Bhavani Shankar and Bejjanki Krishna.
Costumes: Mesma Belsaré

About the Artist

Mesma Belsaré works across choreography, painting, and theater as one project in multiple materials. For twenty-five years, she has pressed through classical training toward the pre-institutional memory the body carries beneath every layer of form. The audience is the site of transformation.

Her choreographic works include SIREN, The Hourglass, recently presented on a European tour, In the Creator’s Gaze, and Carmine Bees. She has performed at Lincoln Center, Asia Society, MFA Boston, the Harbourfront Centre in Toronto, and Siri Fort in New Delhi. Her work has been reviewed by The New York Times, The Guardian, CBC Radio and The Dance Current. As a painter, her work is held in collections across six countries and has been exhibited at the Royal Ontario Museum, Baruch College, and the Triveni Art Enclave, New Delhi.

She holds two fellowships across two disciplines: the Dance/USA Fellowship (Doris Duke Charitable Foundation) and the Individual Artist Fellowship for Painting from the New Jersey State Council on the Arts and Mid Atlantic Arts. She lives and works in the New York area.

Ramya Shankaran is a Bharatanatyam and Mohiniyattam artist, choreographer, and educator with over 27 years of experience in classical Indian dance. She is the founder and director of Adhyaathma LLC, NJ, a 2025 Mid Atlantic Arts Fellow, and recipient of the Bharat Gaurav Samman.

www.mesmabelsare.com
Instagram: @mesmabelsare


Sindhoor Natya – Navarasa

ENCOUNTER (Excerpts)

A provocative performance blending daring physical theatre with bold storytelling. Written by S.M. Raju and Aparna Sindhoor, Encounter is a passionate story of an indigenous woman, Dopdi, her defiance against injustice inspired by award-winning writer Mahasweta Devi’s short story Draupadi. Music by award-winning composer Isaac Thomas Kottukapally and choreographed and directed by Aparna Sindhoor and Anil Natyaveda. The show employs Indian martial arts Kalari, classical dance, and live songs, and folk dances

 

 

 

Credits

Choreographers: Aparna Sindhoor and Anil Natyaveda
Performers: Aparna Sindhoor and Anil Natyaveda
Music: Isaac Thomas Kottukapally
Costumes: Aparna Sindhoor and Anil Natyaveda

 

About the Artist

Dr. Aparna Sindhoor and Anil Natyaveda, directors of Sindhoor Natya – Navarasa create and perform dance-theater inspired by Bharatanatyam, Kalari, Mallakhamb acrobatics, and theater. They were artists in residence at Bates Dance Festival, East West Players, Asian Art Museum, Teesri Duniya, UCSB, Wellesley College, CT College. Choreography credits for films including Santhosh Sivan’s, Anandabadhram, S M Raju’s Varnam and have worked with Oscar winner Anthony Dod Mantle and Cirque du soleil famed Franco Dragone’. They were nominated for LA Stage Alliance Ovation Award. Aparna Sindhoor is trained in the Mysore style of Bharatanatyam for more than fifteen years with legendary Dr. K. Venkatalakshamma (Mysore palace dancer) and Dr. Lalitha Srinivasan. She is a recipient of CAC’s Individual Artist Fellowship, NPN creation award, Boston Dance Alliance and was nominated for Kerala Film choreography. Anil Natyaveda is a dancer and a leading exponent in martial arts Kalari ppayattu. He is a recipient of Alliance for California Traditional Arts, the Natyaratnam (Guru Gopinath Trust, India,) and Shastri Indo-Canadian Institute. Sindhoor Natya’s “Dance for Everyone,” program offers free dance training for two hundred students in India and USA. They teach in California and online. “A magical mix of traditions and styles.” – Boston Globe.

www.navarasa.org


Nava Dance Theater

Rogue Gestures/Foreign Bodies | NYC Premiere

Rogue Gestures/Foreign Bodies is a bharatanatyam, experimental movement, and live music production that explores the history, labor and lived experiences of women and immigrants in the US, and how these fractured experiences inform our identities now. Initially inspired by the oral histories of Indian nurses who arrived as a result of the 1965 Immigration and Nationality Act, choreographer Nadhi Thekkek, and her collaborators find universality in the heavy and enduring work of immigrant women and the worlds they traverse between.

 

 

Credits

Choreographer: Nadhi Thekkek
Performers: Shruti Abhishek, Abirami Murugappan, Janani Muthaiya, Nadhi Thekkek, and Lalli Venkat
Music: Music Direction by Roopa Mahadevan and Kalaisan Kalaichelvan; Recording by musicians Roopa Mahadevan, Aarti Shankar, Aditya Iswara, Conal Sathi, Matt Small and dancers Shruti Abhishek, Soundarya Daliparthy, and Nadhi Thekkek.
Costumes: Nikita Satish, Dori Design Studio, Bangalore; Aahaarya Tailor, Chennai; Nadhi Thekkek

About the Company

Founded in 2012 by Artistic Director Nadhi Thekkek, Nava Dance Theatre (NDT) is a bharatanatyam dance company rooted in the South Indian form yet driven by a contemporary and justice-centered artistic practice. Its mission is to use Bharatanatyam as a medium to explore identity, place, and politics through the lens of lived experience. Through new works, residencies, workshops, and community programming, it create layered, socially engaged art that uplifts historically underrepresented stories and forges powerful intersections between culturally specific art, diaspora, and community care.

www.navadance.org


Workshop

$1 Workshop with Battery Dance

10:00-11:30am at Battery Dance Studio
Space is limited, so please register in advance. 

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